1 00:00:01,735 --> 00:00:03,636 NARRATOR: Chester's Mill was like any other town. 2 00:00:03,703 --> 00:00:06,306 I love you, too, Rusty! 3 00:00:06,373 --> 00:00:09,209 A typical place in every way. 4 00:00:09,275 --> 00:00:11,378 You off to the game today, Big Jim? 5 00:00:11,444 --> 00:00:13,413 Until... 6 00:00:13,480 --> 00:00:15,448 the unimaginable. 7 00:00:21,588 --> 00:00:23,289 DUKE: What the hell happened here? 8 00:00:23,356 --> 00:00:25,158 BARBIE: Hey, no. 9 00:00:25,225 --> 00:00:26,459 Don't touch that! 10 00:00:26,526 --> 00:00:28,194 JULIA: I have just learned 11 00:00:28,261 --> 00:00:29,329 the barrier around Chester's Mill 12 00:00:29,396 --> 00:00:32,265 is being called a dome. 13 00:00:32,332 --> 00:00:34,234 No, no, no, stop! 14 00:00:34,300 --> 00:00:36,369 We're trapped. 15 00:00:36,436 --> 00:00:38,171 NARRATOR: The dome kept everyone in. 16 00:00:38,238 --> 00:00:40,540 Why us? Maybe we're being punished. 17 00:00:40,607 --> 00:00:43,243 And threatened to let all their secrets out. 18 00:00:43,309 --> 00:00:45,612 What the hell do you want from me? 19 00:00:45,678 --> 00:00:48,281 He's lying to you! 20 00:00:48,348 --> 00:00:50,450 But the dome had secrets of its own. 21 00:00:50,517 --> 00:00:51,418 JOE: We found this egg. 22 00:00:51,484 --> 00:00:53,353 (screams) 23 00:00:53,420 --> 00:00:56,556 LINDA: What does "The pink stars are falling in lines" mean? 24 00:00:56,623 --> 00:00:58,425 NARRATOR: And one thing was certain... 25 00:00:58,491 --> 00:01:00,193 there was no escape. 26 00:01:00,260 --> 00:01:01,494 This dome can't break us! 27 00:01:01,561 --> 00:01:03,163 Look at what it's doing! 28 00:01:03,229 --> 00:01:04,563 We're all gonna die in here. 29 00:01:04,631 --> 00:01:06,599 NARRATOR: Tonight... 30 00:01:06,666 --> 00:01:08,535 ALEXANDER KOCH: I really love the story 31 00:01:08,601 --> 00:01:10,203 'cause it's a survival story. 32 00:01:10,270 --> 00:01:11,771 Step back. NARRATOR: ...the cast and producers 33 00:01:11,838 --> 00:01:14,274 go inside this incredible story. 34 00:01:14,340 --> 00:01:16,309 Well, in season one we had to establish the dome. 35 00:01:16,376 --> 00:01:18,311 We had to establish the chaos that it brought. 36 00:01:18,378 --> 00:01:20,580 And the horror without reveals the horror within. 37 00:01:20,647 --> 00:01:22,515 Shut up! All you do is lie. 38 00:01:22,582 --> 00:01:23,650 NARRATOR: And take an exclusive look ahead... 39 00:01:23,716 --> 00:01:25,452 Second season is much more 40 00:01:25,518 --> 00:01:27,454 about the characters' journeys and who they are. 41 00:01:27,520 --> 00:01:29,589 Someone has to make the hard choices! 42 00:01:29,656 --> 00:01:32,225 NARRATOR: ...at the next chapter. We start to explore 43 00:01:32,292 --> 00:01:34,327 what that dome is doing to the people. 44 00:01:34,394 --> 00:01:37,163 Why did you leave me? NARRATOR: With never-before-seen moments. 45 00:01:37,230 --> 00:01:38,465 This season will answer a lot of questions. 46 00:01:38,531 --> 00:01:39,732 NARRATOR: And a warning. 47 00:01:39,799 --> 00:01:41,801 JULIA: How do you explain all this? 48 00:01:41,868 --> 00:01:44,137 You just have no idea what's gonna happen. 49 00:01:44,204 --> 00:01:45,338 NARRATOR: No one... NORRIE: Oh, my God, my 50 00:01:45,405 --> 00:01:46,806 mom's in there! NARRATOR: ...is safe. 51 00:01:46,873 --> 00:01:48,775 Junior! Gear up, 52 00:01:48,842 --> 00:01:51,244 'cause it's about to get even crazier. 53 00:01:56,449 --> 00:01:58,451 ♪ ♪ You're listening to WYBS, 54 00:01:58,518 --> 00:02:01,287 the Mill's only 100% 55 00:02:01,354 --> 00:02:04,858 independent home of rock. 56 00:02:04,924 --> 00:02:06,593 NARRATOR: In a typical small town... 57 00:02:06,659 --> 00:02:08,461 Sorry to bother you. Sam Verdreaux called. 58 00:02:08,527 --> 00:02:10,463 He wants us to know that he heard some kind of a bang. 59 00:02:10,530 --> 00:02:13,333 NARRATOR: ...even the biggest problems can seem simple. 60 00:02:13,399 --> 00:02:15,168 You were right to get me, Linda. 61 00:02:15,235 --> 00:02:17,303 Never know with this damn place. 62 00:02:17,370 --> 00:02:19,739 (bell dings) ROSE: Monday mornings have been brutal since they opened 63 00:02:19,806 --> 00:02:21,441 that Denny's over in Westlake. 64 00:02:21,508 --> 00:02:24,444 I'll take your French toast any day of the week, Rose. 65 00:02:24,511 --> 00:02:27,514 NARRATOR: Big Jim Rennie was working on his next election. 66 00:02:27,580 --> 00:02:28,515 What is this? 67 00:02:28,581 --> 00:02:30,316 That's me buying your next vote. 68 00:02:30,383 --> 00:02:32,452 Says the guy who always runs unopposed. 69 00:02:32,519 --> 00:02:33,753 DEAN NORRIS: Big Jim is the main 70 00:02:33,820 --> 00:02:35,855 councilman left in the town. 71 00:02:35,922 --> 00:02:37,857 He's also a used car salesman. 72 00:02:37,924 --> 00:02:39,325 So you know you can trust him. 73 00:02:39,392 --> 00:02:40,860 We're all in this together. 74 00:02:40,927 --> 00:02:42,195 (car door closes) NARRATOR: Julia Shumway 75 00:02:42,262 --> 00:02:43,863 searched for her next headline. 76 00:02:43,930 --> 00:02:45,865 So you're the newspaperwoman? 77 00:02:45,932 --> 00:02:48,301 I'm the new editor of The Independent. Yeah. 78 00:02:48,368 --> 00:02:51,471 Julia is a reporter who moves to Chester's Mill with her husband, 79 00:02:51,538 --> 00:02:52,639 who's a doctor. 80 00:02:52,705 --> 00:02:54,807 You see that truck? 81 00:02:54,874 --> 00:02:57,477 That's its fourth propane delivery this week. 82 00:02:57,544 --> 00:02:59,712 I called Sheriff Perkins three days ago. 83 00:02:59,779 --> 00:03:01,347 He sounded nervous. 84 00:03:01,414 --> 00:03:03,449 JACK BENDER: She wants to know the truth 85 00:03:03,516 --> 00:03:05,785 and she's not gonna stop till she gets the truth. 86 00:03:05,852 --> 00:03:07,654 I'll do some digging. 87 00:03:10,356 --> 00:03:11,724 JUNIOR: God. 88 00:03:11,791 --> 00:03:13,860 You all right, there? 89 00:03:13,927 --> 00:03:15,261 NEAL BAER: When we first meet 90 00:03:15,328 --> 00:03:17,263 Junior Rennie, he's madly 91 00:03:17,330 --> 00:03:19,265 in love with Angie McAlister. 92 00:03:19,332 --> 00:03:20,633 I love you. 93 00:03:20,700 --> 00:03:22,235 It's been a fun summer. 94 00:03:22,302 --> 00:03:25,338 BAER: And she has just told him good-bye. 95 00:03:25,405 --> 00:03:27,340 Ouch. BRITT ROBERTSON: Angie 96 00:03:27,407 --> 00:03:28,942 is not really looking for a serious 97 00:03:29,008 --> 00:03:31,411 relationship. She is really trying 98 00:03:31,477 --> 00:03:33,646 to get out of Chester's Mill and make a better life for herself. 99 00:03:33,713 --> 00:03:34,914 You're the only person in the whole world 100 00:03:34,981 --> 00:03:36,916 who knows the real me. 101 00:03:36,983 --> 00:03:39,352 And that's why I can't be with you. 102 00:03:39,419 --> 00:03:42,255 He has this kind of, like, hole in his heart after losing Angie. 103 00:03:42,322 --> 00:03:43,957 I'm gonna be late for work. 104 00:03:44,023 --> 00:03:47,794 KOCH: And he's wanting to get back with her any way he can. 105 00:03:47,860 --> 00:03:51,464 NARRATOR: It was a quiet place. 106 00:03:51,531 --> 00:03:55,335 But even Chester's Mill had a dark side. 107 00:03:55,401 --> 00:03:56,736 MIKE VOGEL: When we first meet Barbie, 108 00:03:56,803 --> 00:03:57,837 he's definitely in town 109 00:03:57,904 --> 00:03:59,839 under some suspicious circumstances. 110 00:03:59,906 --> 00:04:02,976 We're not quite sure who he is, 111 00:04:03,042 --> 00:04:04,711 where he's come from. 112 00:04:04,777 --> 00:04:07,013 (engine roars) BENDER: We think he's a bad guy. 113 00:04:07,080 --> 00:04:09,415 He's got a big secret. 114 00:04:09,482 --> 00:04:10,550 NARRATOR: A big secret... 115 00:04:10,617 --> 00:04:11,884 So we got a problem here. 116 00:04:11,951 --> 00:04:13,720 ...and some really bad luck. Oh! 117 00:04:13,786 --> 00:04:16,255 (tires screech) 118 00:04:16,322 --> 00:04:17,957 Ooh! 119 00:04:21,394 --> 00:04:22,862 (crows cawing) 120 00:04:22,929 --> 00:04:24,430 BAER: Imagine if you're in an ordinary 121 00:04:24,497 --> 00:04:25,431 American town. 122 00:04:25,498 --> 00:04:28,935 Suddenly you hear a rumbling and shaking. 123 00:04:29,002 --> 00:04:31,371 (car alarms blaring) And the ground is moving under your feet. 124 00:04:31,437 --> 00:04:33,873 It's like, everybody thinks there's an earthquake. 125 00:04:33,940 --> 00:04:36,542 ROBERTSON: Just the feeling 126 00:04:36,609 --> 00:04:38,978 of the wind and the gust. 127 00:04:39,045 --> 00:04:40,546 NORRIS: All of a sudden-- 128 00:04:40,613 --> 00:04:42,315 boom, it hits. (thunderous crash) 129 00:04:42,382 --> 00:04:43,716 (cows mooing) 130 00:04:48,121 --> 00:04:49,555 (low, distorted groan) 131 00:04:49,622 --> 00:04:51,891 LEFEVRE: You really see the horror of it, 132 00:04:51,958 --> 00:04:53,026 you know, the... Our famous image 133 00:04:53,092 --> 00:04:56,462 from the first season is the cow being split in half. 134 00:04:57,930 --> 00:04:59,565 (electric zap) Aah! 135 00:05:01,801 --> 00:05:03,736 Ugh. 136 00:05:03,803 --> 00:05:05,638 LEFEVRE: It really was a good symbol for sort of 137 00:05:05,705 --> 00:05:07,974 what happens. You know, the town gets severed. 138 00:05:08,041 --> 00:05:10,777 The dome comes down, people 139 00:05:10,843 --> 00:05:12,979 lose limbs, people get cut in half. 140 00:05:13,046 --> 00:05:15,481 The world sort of flips upside down. 141 00:05:15,548 --> 00:05:17,817 You have the unexplainable, the chaotic, 142 00:05:17,884 --> 00:05:20,486 the terrifying, all happening 143 00:05:20,553 --> 00:05:21,788 at once. You okay? 144 00:05:25,458 --> 00:05:27,326 What the hell? 145 00:05:27,393 --> 00:05:29,662 COLIN FORD: Right when the dome comes down, Joe 146 00:05:29,729 --> 00:05:31,698 is found, you know, on his farm. 147 00:05:31,764 --> 00:05:34,701 Joe McAlister is an everyday kid who's 16 148 00:05:34,767 --> 00:05:37,336 (soft buzz) years old. Pretty good in science and math. 149 00:05:37,403 --> 00:05:39,038 Joe's parents are trapped outside the dome. 150 00:05:39,105 --> 00:05:41,841 (soft buzz) It's some sort of invisible fence. 151 00:05:41,908 --> 00:05:44,544 Whatever it is, I'd probably stop touching it. 152 00:05:44,610 --> 00:05:46,646 BENDER: One of the things that was most terrifying 153 00:05:46,713 --> 00:05:49,482 about the premise is the idea that it's invisible. You'd 154 00:05:49,549 --> 00:05:52,485 be walking down the street or driving your car 155 00:05:52,552 --> 00:05:54,987 or your truck or your little plane, and you would 156 00:05:55,054 --> 00:05:57,657 hit this invisible barrier. 157 00:06:02,895 --> 00:06:04,864 Run! 158 00:06:05,665 --> 00:06:07,667 (metal crumbling) 159 00:06:09,969 --> 00:06:12,371 What the hell is happening? 160 00:06:12,438 --> 00:06:13,940 (door closes, bell dings) 161 00:06:14,006 --> 00:06:15,675 Am I doing something wrong? 162 00:06:15,742 --> 00:06:16,943 Power's out, Carolyn. 163 00:06:17,009 --> 00:06:18,511 Cashier said the pumps'll be back on soon. 164 00:06:18,578 --> 00:06:21,814 "Chester's Mill is known for its rich, fertile land 165 00:06:21,881 --> 00:06:23,983 and warm, inviting people." 166 00:06:24,050 --> 00:06:26,385 BAER: Norrie is a L.A. kid who, 167 00:06:26,452 --> 00:06:28,521 uh, has a real attitude about anything 168 00:06:28,588 --> 00:06:31,057 that isn't big-city hip. 169 00:06:31,124 --> 00:06:34,994 She has two mothers and they're not happy with her behavior. 170 00:06:35,061 --> 00:06:37,563 For the millionth time-- that was an accident. That's what you said 171 00:06:37,630 --> 00:06:38,831 when you knocked out that girl's tooth. 172 00:06:38,898 --> 00:06:40,032 LINTZ: So they're 173 00:06:40,099 --> 00:06:42,034 taking her to boot camp. 174 00:06:42,101 --> 00:06:44,036 And they are in the wrong place 175 00:06:44,103 --> 00:06:45,505 at the wrong time. 176 00:06:45,571 --> 00:06:47,173 (heavy thud) 177 00:06:47,240 --> 00:06:48,441 (screaming) 178 00:06:48,508 --> 00:06:51,844 (tires screech) 179 00:06:51,911 --> 00:06:53,613 ALICE: Is everyone all right? 180 00:06:53,679 --> 00:06:55,848 Nothing about this 181 00:06:55,915 --> 00:06:57,683 is all right. 182 00:06:57,750 --> 00:07:00,486 NARRATOR: The barrier had a mysterious effect on Norrie. 183 00:07:00,553 --> 00:07:03,523 Norrie! LINTZ: And then all of a sudden, she's on the ground in 184 00:07:03,589 --> 00:07:05,825 the middle of the street having a seizure, mumbling... 185 00:07:05,892 --> 00:07:08,795 The pink stars are falling. 186 00:07:08,861 --> 00:07:11,464 JOE: Sheriff Perkins, 187 00:07:11,531 --> 00:07:12,765 the plane smashed right into it. 188 00:07:12,832 --> 00:07:14,901 Into what? Whatever it is, 189 00:07:14,967 --> 00:07:16,536 it cut off all our roads. 190 00:07:18,070 --> 00:07:19,138 Not just the roads... 191 00:07:19,205 --> 00:07:21,140 the whole town. 192 00:07:21,207 --> 00:07:24,777 NARRATOR: Suddenly, the peaceful town of Chester's Mill 193 00:07:24,844 --> 00:07:26,846 would never be the same. 194 00:07:29,248 --> 00:07:32,185 In season two, we're genuinely trapped. 195 00:07:32,251 --> 00:07:33,786 NARRATOR: Coming up... Get down! 196 00:07:33,853 --> 00:07:35,121 ...an exclusive scene 197 00:07:35,188 --> 00:07:37,790 from season two of Under the Dome. 198 00:07:46,799 --> 00:07:50,636 NARRATOR: In an instant, Chester's Mill had been forever changed. 199 00:07:50,703 --> 00:07:52,138 MAN (over PA): All right, everybody... NARRATOR: And as authorities 200 00:07:52,205 --> 00:07:53,372 mobilized on the outside... 201 00:07:53,439 --> 00:07:56,876 REPORTER: ...puts the dome over Chester's Mill at roughly... 202 00:07:56,943 --> 00:08:00,680 Did he just call it a dome? Yeah. 203 00:08:00,746 --> 00:08:03,249 NARRATOR: ...fear began to surface on the inside. 204 00:08:03,316 --> 00:08:04,550 What the hell is going on? 205 00:08:04,617 --> 00:08:05,818 Isn't it obvious? 206 00:08:05,885 --> 00:08:08,487 We're under attack. Nobody knows a damn thing, 207 00:08:08,554 --> 00:08:10,022 so there's no point in spreading any rumors. 208 00:08:10,089 --> 00:08:11,190 KOCH: There's an initial panic 209 00:08:11,257 --> 00:08:13,526 of people not knowing what it is. 210 00:08:13,593 --> 00:08:15,795 NORRIS: Why is that dome here? Is there a specific 211 00:08:15,862 --> 00:08:17,964 reason that this dome hit us? 212 00:08:18,030 --> 00:08:21,634 NARRATOR: No one was safe. And neither were their secrets. 213 00:08:21,701 --> 00:08:23,169 Any sign of your husband? 214 00:08:23,236 --> 00:08:24,770 Not yet. 215 00:08:24,837 --> 00:08:26,772 NARRATOR: Julia hadn't seen her husband, 216 00:08:26,839 --> 00:08:28,741 Peter, since the dome appeared. 217 00:08:28,808 --> 00:08:30,209 LEFEVRE: She just assumes that he's 218 00:08:30,276 --> 00:08:32,178 helping out in the chaos. He's a doctor. 219 00:08:32,245 --> 00:08:34,513 MAN: Is the doc with you? JULIA: He's not here? 220 00:08:34,580 --> 00:08:36,582 Listen, your husband hasn't worked Sundays in weeks. 221 00:08:36,649 --> 00:08:38,650 LEFEVRE: She thinks he must have been 222 00:08:38,717 --> 00:08:40,219 trapped outside the dome. 223 00:08:40,285 --> 00:08:42,822 And then, enter a tall, dark stranger. 224 00:08:42,889 --> 00:08:43,990 Who the hell are you? 225 00:08:45,157 --> 00:08:46,893 Or blond. (laughs) 226 00:08:46,959 --> 00:08:48,661 Barbie. 227 00:08:48,728 --> 00:08:49,962 Barbie? 228 00:08:50,029 --> 00:08:51,697 It's a nickname. VOGEL: I think Barbie, 229 00:08:51,764 --> 00:08:55,268 from the get-go, would love to have run back into the woods 230 00:08:55,334 --> 00:08:58,638 and just hid out. What about you? 231 00:08:58,704 --> 00:09:01,607 Where are you off to? Uh, the motels are all booked up, so 232 00:09:01,674 --> 00:09:02,742 I'm just gonna rough it. 233 00:09:02,808 --> 00:09:03,943 Don't be ridiculous. 234 00:09:04,010 --> 00:09:05,878 You can stay with Peter and me. 235 00:09:05,945 --> 00:09:08,648 How do you guys have power? Backup generator. 236 00:09:08,714 --> 00:09:11,284 That's Peter, behind you. 237 00:09:11,350 --> 00:09:13,119 NARRATOR: To Barbie, Peter Shumway 238 00:09:13,185 --> 00:09:16,088 was a familiar face. 239 00:09:18,658 --> 00:09:21,928 BENDER: Stephen King frequently writes about the ideal 240 00:09:21,994 --> 00:09:24,196 American town 241 00:09:24,263 --> 00:09:27,967 when it's like the worm inside the apple. 242 00:09:28,034 --> 00:09:31,604 And what's the worm gonna be inside of Chester's Mill? 243 00:09:31,671 --> 00:09:33,072 It's like a ghost town in here. 244 00:09:33,139 --> 00:09:34,941 I should be able to hold down the fort. 245 00:09:35,007 --> 00:09:36,676 It's easier to reach consensus when there's only 246 00:09:36,742 --> 00:09:38,277 one voice to listen to, right? (chuckles) 247 00:09:38,344 --> 00:09:39,979 NARRATOR: Sheriff Duke Perkins was 248 00:09:40,046 --> 00:09:42,181 the town's long-respected lawman. 249 00:09:42,248 --> 00:09:43,249 What are you gettin' at, Jim? 250 00:09:43,316 --> 00:09:44,750 NARRATOR: No one knew about his 251 00:09:44,817 --> 00:09:46,886 corrupt dealings with Big Jim. 252 00:09:46,953 --> 00:09:48,988 What do we do when the people start asking about the propane? 253 00:09:49,055 --> 00:09:51,324 Well, that has nothing to do with this. 254 00:09:51,390 --> 00:09:53,259 Oh. (soft laugh) NORRIS: Big Jim has been storing up 255 00:09:53,326 --> 00:09:55,328 some propane for a-a certain amount of 256 00:09:55,394 --> 00:09:56,762 drug-making. 257 00:09:56,829 --> 00:09:59,098 There's a lot I've tried to protect you from. 258 00:09:59,165 --> 00:10:01,600 Like what? 259 00:10:01,667 --> 00:10:03,903 NARRATOR: But something within the dome triggered a reaction. 260 00:10:03,970 --> 00:10:05,204 (quick exhale) My chest. 261 00:10:05,271 --> 00:10:07,039 Duke, is it your pacemaker? 262 00:10:07,106 --> 00:10:07,840 Aah! (screams) 263 00:10:07,907 --> 00:10:10,209 No, Duke! NARRATOR: And Duke 264 00:10:10,276 --> 00:10:12,611 took their secrets to the grave. 265 00:10:12,678 --> 00:10:13,846 BIG JIM: Holy hell. 266 00:10:13,913 --> 00:10:15,848 NARRATOR: Big Jim wasted no time 267 00:10:15,915 --> 00:10:17,783 asserting himself, keeping 268 00:10:17,850 --> 00:10:20,619 his other business partner, Reverend Coggins, 269 00:10:20,686 --> 00:10:23,122 in line. You're using our stuff-- you're high as a kite. 270 00:10:23,189 --> 00:10:26,359 S-So what? It's Judgment Day, Jim. 271 00:10:26,425 --> 00:10:28,794 NARRATOR: And he never missed an opportunity... 272 00:10:28,861 --> 00:10:30,663 JULIA: The flames are too high. NARRATOR: ...to take 273 00:10:30,730 --> 00:10:32,231 center stage in a crisis. 274 00:10:32,298 --> 00:10:34,633 NORRIS: You know, I always saw Big Jim as a guy 275 00:10:34,700 --> 00:10:36,869 who recited Winston Churchill speeches 276 00:10:36,936 --> 00:10:38,337 in the shower. 277 00:10:42,308 --> 00:10:44,043 And, uh, wished that he was 278 00:10:44,110 --> 00:10:46,312 in a time and place when he could've been that guy. 279 00:10:46,379 --> 00:10:47,813 Thank you, everyone, 280 00:10:47,880 --> 00:10:49,215 for a job well done. 281 00:10:49,281 --> 00:10:50,850 Well, we couldn't have done it without you, Big Jim. 282 00:10:50,916 --> 00:10:51,851 Oh... 283 00:10:51,917 --> 00:10:53,352 Where were you yesterday, 284 00:10:53,419 --> 00:10:54,787 Junior? JUNIOR: Nowhere. 285 00:10:54,854 --> 00:10:56,422 NARRATOR: Big Jim tightened 286 00:10:56,489 --> 00:10:58,290 his grip on the town 287 00:10:58,357 --> 00:10:59,992 and on his son. 288 00:11:00,059 --> 00:11:03,062 NORRIS: Junior is, uh, Big Jim's only son, 289 00:11:03,129 --> 00:11:04,330 and on the one hand, 290 00:11:04,397 --> 00:11:05,798 Big Jim wants to help him, 291 00:11:05,865 --> 00:11:07,366 wants to keep him out of trouble. 292 00:11:07,433 --> 00:11:09,068 People are looking to me 293 00:11:09,135 --> 00:11:10,369 to lead. 294 00:11:10,436 --> 00:11:11,871 It reflects poorly 295 00:11:11,937 --> 00:11:13,272 when my son is AWOL. 296 00:11:13,339 --> 00:11:14,373 On the other hand, 297 00:11:14,440 --> 00:11:15,941 he kind of wears Big Jim's patience, 298 00:11:16,008 --> 00:11:17,843 because he's constantly having to deal with this kid 299 00:11:17,910 --> 00:11:19,445 who's doing all these crazy things. 300 00:11:20,946 --> 00:11:21,814 (muffled scream) 301 00:11:21,881 --> 00:11:23,749 Like when he puts his girlfriend 302 00:11:23,816 --> 00:11:25,117 in the fallout shelter. 303 00:11:25,384 --> 00:11:27,019 What the hell do you want from me? 304 00:11:27,086 --> 00:11:28,220 ROBERTSON: Junior kidnaps Angie 305 00:11:28,287 --> 00:11:30,056 because he believes-- 306 00:11:30,122 --> 00:11:31,891 now that this dome has come down-- 307 00:11:31,957 --> 00:11:33,459 that there's something wrong with her. 308 00:11:33,526 --> 00:11:35,361 I think it scrambled your brain. 309 00:11:35,428 --> 00:11:38,030 One of us has a scrambled brain, all right. 310 00:11:38,097 --> 00:11:40,299 You can't see it, but I can. 311 00:11:40,366 --> 00:11:42,401 KOCH: He truly believes the dome is infecting her mind, 312 00:11:42,468 --> 00:11:44,770 so he's out to save her any way he can. 313 00:11:44,837 --> 00:11:46,439 BIG JIM: I don't believe we've been, uh, 314 00:11:46,505 --> 00:11:48,207 formally introduced. 315 00:11:48,274 --> 00:11:49,475 I'm, uh, Jim Rennie. 316 00:11:49,542 --> 00:11:51,077 People around here call me Big Jim. 317 00:11:51,143 --> 00:11:52,411 Barbie. 318 00:11:52,478 --> 00:11:53,913 NARRATOR: Big Jim was now the law in town. 319 00:11:53,979 --> 00:11:55,915 BIG JIM: Barbie. 320 00:11:55,981 --> 00:11:58,050 Well, that's kind of a... funny name 321 00:11:58,117 --> 00:11:59,919 for a fellow with your particular expertise. 322 00:11:59,985 --> 00:12:02,221 NARRATOR: And he needed soldiers. 323 00:12:02,288 --> 00:12:03,289 What is your objective here, huh? 324 00:12:03,355 --> 00:12:05,758 Is it to bring him in or we trying to take him out? 325 00:12:05,825 --> 00:12:06,892 I don't see it makes a difference 326 00:12:06,959 --> 00:12:08,894 to a guy like you, does it? 327 00:12:08,961 --> 00:12:10,262 VOGEL: Barbie intuitively goes, 328 00:12:10,329 --> 00:12:11,497 "That's a guy I've got to watch out for." 329 00:12:11,564 --> 00:12:13,933 I told you, we're finishing this. 330 00:12:13,999 --> 00:12:15,234 Why is that? 331 00:12:15,301 --> 00:12:18,771 So you can show the town what a big man Big Jim is? 332 00:12:18,838 --> 00:12:20,973 VOGEL: Barbie notices along the way that 333 00:12:21,040 --> 00:12:24,176 this guy is just power-hungry and up to no good. 334 00:12:24,243 --> 00:12:26,011 BIG JIM: Sometimes an example 335 00:12:26,078 --> 00:12:28,747 needs to be made, you know? 336 00:12:28,814 --> 00:12:30,749 Command respect. 337 00:12:31,584 --> 00:12:33,819 BARBIE: God, I swear, you ask 338 00:12:33,886 --> 00:12:35,454 more questions than anybody I've ever met. 339 00:12:35,521 --> 00:12:37,890 Well, you know you're pretty good at evading them. 340 00:12:37,957 --> 00:12:39,959 NARRATOR: Barbie couldn't escape Chester's Mill, 341 00:12:40,025 --> 00:12:42,161 or the wife of the man he'd killed. 342 00:12:42,228 --> 00:12:43,362 JULIA: You all right? 343 00:12:43,429 --> 00:12:45,364 You were, uh, talking in your sleep. 344 00:12:45,431 --> 00:12:47,166 Yelling, actually. 345 00:12:47,233 --> 00:12:49,268 LEFEVRE: He's obviously very handsome, and, so, 346 00:12:49,335 --> 00:12:51,270 you know, there's an attraction, there's chemistry. 347 00:12:51,337 --> 00:12:53,439 Thanks again for letting me crash here. 348 00:12:53,506 --> 00:12:55,274 With my husband missing and 349 00:12:55,341 --> 00:12:59,078 everything that happened today, it was nice to have the company. 350 00:12:59,145 --> 00:13:01,247 LEFEVRE: They get really close, and they form 351 00:13:01,313 --> 00:13:03,048 this fast friendship, this bond. 352 00:13:03,115 --> 00:13:05,017 NARRATOR: Julia continued to ask questions. 353 00:13:05,084 --> 00:13:07,987 And you really were just passing through Chester's Mill? 354 00:13:08,053 --> 00:13:09,555 No connection to anyone here in town? 355 00:13:09,622 --> 00:13:11,290 No. 356 00:13:11,357 --> 00:13:13,125 VOGEL: So, we start this 357 00:13:13,192 --> 00:13:14,193 chess game 358 00:13:14,260 --> 00:13:16,428 between the two of them. 359 00:13:16,495 --> 00:13:19,965 Being a reporter, she knows the questions to ask. 360 00:13:21,133 --> 00:13:24,203 So, you went through my stuff? You lied to me. 361 00:13:24,270 --> 00:13:26,238 NARRATOR: When Julia suddenly fell ill, 362 00:13:26,305 --> 00:13:28,807 Barbie decided to reveal her husband's secrets. 363 00:13:28,874 --> 00:13:31,143 PETER: I've got the cash, but my wife's home. 364 00:13:31,210 --> 00:13:33,078 Meet me at the other spot. 365 00:13:33,145 --> 00:13:35,447 LEFEVRE: Julia learns that her husband Peter had 366 00:13:35,514 --> 00:13:37,249 a gambling problem that he was concealing. 367 00:13:37,316 --> 00:13:38,984 (grunting) 368 00:13:39,051 --> 00:13:41,520 And Barbie was coming to collect those debts. 369 00:13:41,587 --> 00:13:44,056 I don't have it! Yeah? My boss is not gonna like that. 370 00:13:44,123 --> 00:13:46,192 (grunts) 371 00:13:46,258 --> 00:13:48,961 So, where is he now? 372 00:13:50,396 --> 00:13:51,931 He doesn't come completely clean. 373 00:13:51,997 --> 00:13:53,933 He must have taken off. 374 00:13:54,967 --> 00:13:56,335 VOGEL: And then, eventually, 375 00:13:56,402 --> 00:13:59,004 finds himself against the ropes with no way out. 376 00:13:59,071 --> 00:14:01,340 I found this life insurance policy today. 377 00:14:01,407 --> 00:14:05,511 NARRATOR: Julia soon discovered the truth behind her husband's death. 378 00:14:05,578 --> 00:14:06,612 He needed you to kill him. 379 00:14:06,679 --> 00:14:08,547 LEFEVRE: She processes everything that happened, 380 00:14:08,614 --> 00:14:10,616 and she realizes, well, 381 00:14:10,683 --> 00:14:12,218 Peter had put Barbie in a situation 382 00:14:12,284 --> 00:14:13,352 where he really had no choice. 383 00:14:13,419 --> 00:14:15,955 It was shoot or be shot. 384 00:14:16,021 --> 00:14:17,056 (spits) 385 00:14:17,122 --> 00:14:20,092 (grunting) 386 00:14:20,693 --> 00:14:22,328 (gunshot) 387 00:14:22,394 --> 00:14:24,029 JULIA: You know, in some weird way, 388 00:14:24,096 --> 00:14:26,198 I think he did all this to try to protect me. 389 00:14:26,265 --> 00:14:28,334 'Cause this would be void 390 00:14:28,400 --> 00:14:29,468 if he committed suicide. 391 00:14:29,535 --> 00:14:30,603 LEFEVRE: Barbie's 392 00:14:30,669 --> 00:14:32,004 done enough heroics 393 00:14:32,071 --> 00:14:33,505 in Chester's Mill already 394 00:14:33,572 --> 00:14:36,508 to prove that he's sort of more the hero than the villain. 395 00:14:36,575 --> 00:14:38,010 But in the future, 396 00:14:38,077 --> 00:14:40,279 there can be no more lies. 397 00:14:42,448 --> 00:14:44,516 NARRATOR: With secrets no longer between them... 398 00:14:44,583 --> 00:14:46,485 We're gonna be okay. 399 00:14:46,552 --> 00:14:50,322 ...Julia and Barbie's relationship quickly deepened. 400 00:14:53,225 --> 00:14:55,261 LINDA: Well, your son takes after you, too. 401 00:14:55,327 --> 00:14:56,629 He stopped what could have been 402 00:14:56,695 --> 00:14:58,664 a full-blown riot. 403 00:14:58,731 --> 00:15:01,467 NARRATOR: Big Jim's relationship with his son had also evolved. 404 00:15:01,533 --> 00:15:03,535 You ever consider a career in law enforcement? 405 00:15:03,602 --> 00:15:06,939 NARRATOR: When Junior was made a deputy, he earned Big Jim's respect. 406 00:15:07,006 --> 00:15:09,375 A chip off the old block. 407 00:15:09,441 --> 00:15:12,378 NARRATOR: But that respect would be short-lived. 408 00:15:12,444 --> 00:15:14,546 ROBERTSON: There is a pipe 409 00:15:14,613 --> 00:15:15,681 that bursts in the fallout shelter, 410 00:15:15,748 --> 00:15:17,449 and Big Jim hears it. 411 00:15:17,516 --> 00:15:19,952 (Angie screaming) 412 00:15:20,019 --> 00:15:21,053 He goes to look, 413 00:15:21,120 --> 00:15:23,489 and finds Angie. 414 00:15:23,555 --> 00:15:26,158 You're gonna get me out of here, right? 415 00:15:26,225 --> 00:15:27,293 ROBERTSON: He does something really interesting. 416 00:15:27,359 --> 00:15:28,527 He doesn't pick her up 417 00:15:28,594 --> 00:15:30,529 and drag her out of there and get her help. 418 00:15:30,596 --> 00:15:33,499 I just, uh, I just need to think on this a little bit. 419 00:15:33,565 --> 00:15:35,100 No, no, no, you can't leave me down here! 420 00:15:35,167 --> 00:15:36,235 You can't! You... No. 421 00:15:36,302 --> 00:15:37,569 No! Wait! Wait! 422 00:15:37,636 --> 00:15:39,171 Help! Help! 423 00:15:39,238 --> 00:15:40,372 (door creaks shut) 424 00:15:40,439 --> 00:15:42,074 ANGIE: You think the dome is gonna 425 00:15:42,141 --> 00:15:42,741 be here forever? 426 00:15:42,808 --> 00:15:44,476 NARRATOR: Coming up... 427 00:15:44,543 --> 00:15:45,511 LEFEVRE: This is the real discovery. 428 00:15:45,577 --> 00:15:46,512 There's something else 429 00:15:46,578 --> 00:15:47,513 at work here. 430 00:15:47,579 --> 00:15:49,148 What does it mean? 431 00:15:57,056 --> 00:15:59,224 (rock and roll playing) NORRIE: Excuse me. 432 00:15:59,291 --> 00:16:01,960 Where can a girl charge up in this town? 433 00:16:02,027 --> 00:16:04,496 NARRATOR: Everyone was adjusting to life under the dome. 434 00:16:04,563 --> 00:16:05,731 I have a generator. 435 00:16:05,798 --> 00:16:07,666 LINTZ: Norrie goes to this kind of 436 00:16:07,733 --> 00:16:09,568 teenage bonfire where they're all mourning the loss 437 00:16:09,635 --> 00:16:10,836 of their electronics. 438 00:16:10,903 --> 00:16:15,007 Without my music, I can get a little, you know, super bitchy. 439 00:16:15,074 --> 00:16:16,342 FORD: Well, there's definitely an immediate 440 00:16:16,408 --> 00:16:17,376 attraction to Norrie 441 00:16:17,443 --> 00:16:18,544 from Joe. He sees 442 00:16:18,610 --> 00:16:20,346 this new girl. 443 00:16:20,412 --> 00:16:22,481 She's dressed differently, she talks differently. 444 00:16:22,548 --> 00:16:24,316 What are you doing? I don't know. 445 00:16:24,383 --> 00:16:26,085 Uh, maybe I can fix it. 446 00:16:26,151 --> 00:16:29,355 Really? That thing blew up like the Death Star. 447 00:16:29,421 --> 00:16:31,056 Yeah, but the Empire rebuilt the Death Star 448 00:16:31,123 --> 00:16:32,224 in The Return of the Jedi. 449 00:16:32,291 --> 00:16:33,359 I like nerds. (knocking) 450 00:16:33,425 --> 00:16:34,493 CAROLYN: Norrie? (door opening) 451 00:16:34,560 --> 00:16:36,362 Oh, God. CAROLYN: Norrie, 452 00:16:36,428 --> 00:16:37,463 are you here...? 453 00:16:37,529 --> 00:16:38,597 LINTZ: And 454 00:16:38,664 --> 00:16:39,765 her mom finds her. 455 00:16:39,832 --> 00:16:42,067 Let's go. 456 00:16:42,134 --> 00:16:44,103 LINTZ: And the second she grabs Joe's hand... 457 00:16:44,169 --> 00:16:46,672 Oh, my God. Norrie? What happened? 458 00:16:46,739 --> 00:16:48,273 BOTH: Pink stars are falling in lines. 459 00:16:48,340 --> 00:16:49,475 Norrie?! The pink stars are falling 460 00:16:49,541 --> 00:16:50,776 in lines. Norrie. 461 00:16:50,843 --> 00:16:52,344 LINTZ: And that's the first time 462 00:16:52,411 --> 00:16:54,146 you see them seizing together. 463 00:16:54,213 --> 00:16:56,382 Well, they're obviously meant to be in some way. 464 00:16:56,448 --> 00:16:58,584 You ready? Let's do it. 465 00:16:58,650 --> 00:17:02,287 LINTZ: Of all the things to do after you've had a double seizure. 466 00:17:02,354 --> 00:17:03,689 Let's try it again. (laughs) 467 00:17:03,756 --> 00:17:05,691 (whooshing, gasping) 468 00:17:05,758 --> 00:17:08,127 FORD: And we record ourselves doing that 469 00:17:08,193 --> 00:17:09,161 to see what happens. 470 00:17:09,228 --> 00:17:10,362 The pink stars are falling... 471 00:17:10,429 --> 00:17:11,763 LINTZ: That's the first step to them 472 00:17:11,829 --> 00:17:12,464 figuring things out. 473 00:17:12,531 --> 00:17:15,733 NORRIE: What does this mean? 474 00:17:15,800 --> 00:17:17,269 Maybe we're not supposed to tell anyone. 475 00:17:17,336 --> 00:17:18,637 Why not? 476 00:17:18,704 --> 00:17:21,807 'Cause the dome doesn't want us to. 477 00:17:21,874 --> 00:17:26,612 NARRATOR: The dome continued to reveal itself to those inside... 478 00:17:26,678 --> 00:17:29,214 What is this? 479 00:17:29,281 --> 00:17:32,184 ...while forces outside had other intentions. 480 00:17:32,251 --> 00:17:33,385 NORRIE: Look. 481 00:17:33,452 --> 00:17:35,721 They're bussing in more soldiers? 482 00:17:35,788 --> 00:17:38,323 No. Civilians. 483 00:17:38,390 --> 00:17:40,092 It's been nearly a week since this thing came down. 484 00:17:40,159 --> 00:17:41,693 Why bus the families in now? 485 00:17:41,760 --> 00:17:43,362 Haven't you ever been to camp? 486 00:17:43,429 --> 00:17:46,231 They're finally giving us our own visitors day. 487 00:17:47,533 --> 00:17:49,401 NORRIS: Yeah, visitor day was interesting, 488 00:17:49,468 --> 00:17:51,103 because it, uh... at first, 489 00:17:51,170 --> 00:17:53,572 it's set up as if it's a nice thing. 490 00:17:53,639 --> 00:17:56,442 It's a lovely day in which we all get to see our relatives. 491 00:17:56,508 --> 00:17:58,277 Sinners! 492 00:17:58,343 --> 00:17:59,845 NARRATOR: The happy day wouldn't last long. 493 00:17:59,912 --> 00:18:01,313 Over and over, 494 00:18:01,380 --> 00:18:05,551 the Lord has spoken one word in my ear. 495 00:18:05,617 --> 00:18:07,453 MOAB. 496 00:18:07,519 --> 00:18:09,254 (hearing aid squeals) MOAB! Thank you, Reverend. 497 00:18:09,321 --> 00:18:11,323 Thank you for those inspiring words. 498 00:18:11,390 --> 00:18:12,658 VOGEL: Visitor day is set up 499 00:18:12,724 --> 00:18:15,127 as a sort of family reunion. 500 00:18:16,328 --> 00:18:21,133 "What's... happening... out there?" 501 00:18:21,200 --> 00:18:22,601 Barbie comes to find out 502 00:18:22,668 --> 00:18:23,569 that's not the intent at all. 503 00:18:23,635 --> 00:18:24,603 They're not about 504 00:18:24,670 --> 00:18:26,505 to let this thing mess with the outside world. 505 00:18:26,572 --> 00:18:27,673 LEFEVRE: It's the episode that starts out 506 00:18:27,739 --> 00:18:28,874 with the best-case scenario 507 00:18:28,941 --> 00:18:30,609 and ends with the worst-case scenario. 508 00:18:30,676 --> 00:18:32,110 MOAB. 509 00:18:32,177 --> 00:18:33,312 Come again? 510 00:18:33,378 --> 00:18:36,114 What your reverend was ranting about. 511 00:18:36,181 --> 00:18:38,484 MOAB is not a city. It's an acronym... 512 00:18:38,550 --> 00:18:40,519 For "the mother of all bombs." 513 00:18:40,586 --> 00:18:42,154 The army is gonna blow up the dome, 514 00:18:42,221 --> 00:18:43,722 even if that means blowing us up with it. 515 00:18:43,789 --> 00:18:45,457 Good Lord. 516 00:18:45,524 --> 00:18:47,259 We're all just gonna die. LINDA: No. 517 00:18:47,326 --> 00:18:49,194 No. We get everybody to a shelter. 518 00:18:49,261 --> 00:18:50,262 Where? 519 00:18:50,329 --> 00:18:52,264 JULIA: The old cement factory. 520 00:18:52,331 --> 00:18:54,233 Some of those tunnels run pretty deep. 521 00:18:54,299 --> 00:18:55,734 NARRATOR: Faced with their final moments, 522 00:18:55,801 --> 00:18:58,871 Chester's Millers each made their peace... 523 00:18:58,937 --> 00:19:00,906 Last call. 524 00:19:00,973 --> 00:19:04,710 ...including Big Jim. 525 00:19:04,776 --> 00:19:06,311 Why are you doing this? 526 00:19:06,378 --> 00:19:08,680 Well, if we're all gonna die today, 527 00:19:08,747 --> 00:19:12,284 you might as well die a free woman. 528 00:19:12,351 --> 00:19:13,685 (panting) 529 00:19:13,752 --> 00:19:15,721 LINTZ: Norrie and Joe are going 530 00:19:15,787 --> 00:19:18,824 on kind of their first little adventure together, and 531 00:19:18,891 --> 00:19:21,927 there's a huge missile coming straight for us. 532 00:19:21,994 --> 00:19:23,929 And, of course... 533 00:19:23,996 --> 00:19:26,431 (explosion) 534 00:19:26,498 --> 00:19:29,401 ...what else do you do when the world's ending? 535 00:19:29,468 --> 00:19:30,602 It's just this special, 536 00:19:30,669 --> 00:19:33,505 fiery moment between both of them. 537 00:19:35,007 --> 00:19:38,176 When we touched, we didn't have the seizures. 538 00:19:38,243 --> 00:19:41,280 More importantly, we didn't die. 539 00:19:41,346 --> 00:19:44,683 NORRIS: The fact that we can't blow up that dome 540 00:19:44,750 --> 00:19:46,285 kind of sets everybody to thinking that 541 00:19:46,351 --> 00:19:49,821 this dome thing is bigger and stronger and more 542 00:19:49,888 --> 00:19:52,558 important than any of us can ever really think about. 543 00:19:52,624 --> 00:19:55,360 LEFEVRE: They're now really cut off from the outside world 544 00:19:55,427 --> 00:19:57,529 because everything outside the dome is now 545 00:19:57,596 --> 00:19:58,530 a wasteland. 546 00:19:58,597 --> 00:19:59,398 And they're stuck 547 00:19:59,464 --> 00:20:00,666 because 548 00:20:00,732 --> 00:20:03,535 if a bomb can't touch the dome, what can? 549 00:20:03,602 --> 00:20:04,836 NORRIS: It kind of reinforces the idea 550 00:20:04,903 --> 00:20:06,805 that we're gonna be here for a while and that 551 00:20:06,872 --> 00:20:09,274 he needs to step it up and be the leader. 552 00:20:09,341 --> 00:20:11,843 God told me to come out here. 553 00:20:11,910 --> 00:20:13,545 What the hell you doing here? 554 00:20:13,612 --> 00:20:17,749 Jim, I know you think this town belongs to you, 555 00:20:17,816 --> 00:20:20,285 and maybe... maybe it used to, 556 00:20:20,352 --> 00:20:22,287 but today... 557 00:20:22,354 --> 00:20:24,323 Today's a new day. 558 00:20:24,389 --> 00:20:26,692 You know, you're right, Reverend. 559 00:20:26,758 --> 00:20:28,794 NORRIS: Big Jim felt that Reverend Coggins 560 00:20:28,860 --> 00:20:30,862 was getting crazy, was gonna lead to problems. 561 00:20:33,498 --> 00:20:36,602 You don't want to make an enemy 562 00:20:36,668 --> 00:20:39,504 of Big Jim under the dome. (laughs) 563 00:20:40,772 --> 00:20:43,609 BAER: And that's when Big Jim starts 564 00:20:43,675 --> 00:20:45,877 to realize, "Wow, I could be king." 565 00:20:45,944 --> 00:20:49,848 He's on a mission to control his enemies 566 00:20:49,915 --> 00:20:53,352 and to put himself in charge. 567 00:20:56,421 --> 00:20:57,623 NARRATOR: With no end in sight to their ordeal... 568 00:20:57,689 --> 00:20:59,291 Damn it. 569 00:20:59,358 --> 00:21:01,293 Now what? I lost the signal. 570 00:21:01,360 --> 00:21:03,996 ...Julia worked to uncover the mysteries of the dome. 571 00:21:04,062 --> 00:21:04,896 LEFEVRE: Julia ends up 572 00:21:04,963 --> 00:21:07,299 running around with Dodee... 573 00:21:07,366 --> 00:21:08,300 We're close. All right. 574 00:21:08,367 --> 00:21:09,301 ...trying to get a signal, 575 00:21:09,368 --> 00:21:10,435 which they think is going 576 00:21:10,502 --> 00:21:11,803 to be the source of the dome. 577 00:21:11,870 --> 00:21:13,538 I think it's coming from them. 578 00:21:13,605 --> 00:21:14,706 (beeping) 579 00:21:14,773 --> 00:21:16,008 JULIA: I know it doesn't 580 00:21:16,074 --> 00:21:17,009 make any sense. 581 00:21:17,075 --> 00:21:19,011 It sort of does. 582 00:21:19,077 --> 00:21:20,846 NARRATOR: It was time to share their secret. 583 00:21:20,912 --> 00:21:22,914 The pink stars are falling in lines. 584 00:21:22,981 --> 00:21:25,484 Okay, I'm officially freaked out. 585 00:21:26,885 --> 00:21:28,887 NARRATOR: Norrie and Joe continue 586 00:21:28,954 --> 00:21:31,423 to test their connection to the dome. 587 00:21:32,491 --> 00:21:34,493 Anything? 588 00:21:35,661 --> 00:21:38,530 Yeah. You're really good at that. 589 00:21:38,597 --> 00:21:39,965 From the dome, Joe. 590 00:21:40,032 --> 00:21:42,334 I didn't feel anything, like a seizure. 591 00:21:42,401 --> 00:21:44,870 Me neither, unfortunately. 592 00:21:46,004 --> 00:21:48,073 Maybe we're going about it all wrong. 593 00:21:48,140 --> 00:21:49,441 FORD: Joe, being smart, 594 00:21:49,508 --> 00:21:50,842 figures out that there may be something 595 00:21:50,909 --> 00:21:53,545 at the center of the dome that powers the dome. 596 00:21:53,612 --> 00:21:55,547 It shouldn't be too far now. 597 00:21:55,614 --> 00:21:58,050 FORD: Norrie and Joe go off on a search. 598 00:21:58,116 --> 00:22:01,053 The hair's standing up on my arms. 599 00:22:03,121 --> 00:22:05,924 There it is. 600 00:22:05,991 --> 00:22:08,093 LINTZ: They start uncovering this mound 601 00:22:08,160 --> 00:22:10,529 in the ground, and 602 00:22:10,595 --> 00:22:12,731 there's another dome. 603 00:22:15,000 --> 00:22:17,402 FORD: And as they uncover the dirt and leaves, 604 00:22:17,469 --> 00:22:19,705 they see a small egg. 605 00:22:21,606 --> 00:22:23,809 LINTZ: So, what 606 00:22:23,875 --> 00:22:25,944 was weird has gotten even weirder. 607 00:22:26,011 --> 00:22:30,082 Maybe it's the generator that created the whole dome. 608 00:22:30,148 --> 00:22:32,818 LEFEVRE: The discovery of the mini-dome and the discovery of the egg... 609 00:22:32,884 --> 00:22:34,820 Okay. ...it's really sort of 610 00:22:34,886 --> 00:22:37,956 our portal into the next phase 611 00:22:38,023 --> 00:22:39,391 of the dome. 612 00:22:39,458 --> 00:22:40,559 Norrie? 613 00:22:40,625 --> 00:22:41,960 NARRATOR: Joe and Norrie discover 614 00:22:42,027 --> 00:22:45,097 the dome had ways to communicate with them. 615 00:22:45,163 --> 00:22:46,565 Mom? 616 00:22:48,567 --> 00:22:50,836 (whirring) 617 00:22:52,437 --> 00:22:54,039 I need to find my mom. 618 00:22:54,106 --> 00:22:57,709 Because something horrible is about to happen. 619 00:22:57,776 --> 00:22:59,978 (crying): Mom, you're not going anywhere. 620 00:23:00,045 --> 00:23:01,947 NARRATOR: Norrie's mother was diabetic. 621 00:23:02,013 --> 00:23:04,716 You have to be brave. 622 00:23:04,783 --> 00:23:06,785 NARRATOR: The dome's arrival had caused 623 00:23:06,852 --> 00:23:08,520 dangerously limited resources... 624 00:23:08,587 --> 00:23:11,056 I will, I promise. 625 00:23:11,123 --> 00:23:14,459 ...and cut off her access to life-saving insulin. 626 00:23:14,526 --> 00:23:17,062 Bring her back. 627 00:23:17,129 --> 00:23:19,765 (crying): I'll do anything you want. 628 00:23:19,831 --> 00:23:21,399 (Norrie cries) 629 00:23:21,466 --> 00:23:23,602 (shouting): Just tell me what you want! 630 00:23:23,668 --> 00:23:25,103 JOE: I've never met anyone 631 00:23:25,170 --> 00:23:26,404 like her before. 632 00:23:26,471 --> 00:23:28,406 It's kind of amazing 633 00:23:28,473 --> 00:23:29,975 to feel that connected. 634 00:23:30,041 --> 00:23:32,077 It's even more intense at the egg. 635 00:23:32,144 --> 00:23:34,146 The egg? 636 00:23:35,747 --> 00:23:38,550 What egg? 637 00:23:38,617 --> 00:23:41,753 LEFEVRE: For Julia, that egg is confirmation 638 00:23:41,820 --> 00:23:44,556 that there are other forces at work here. 639 00:23:46,158 --> 00:23:49,561 JOE: It's pink. It was black before. 640 00:23:49,628 --> 00:23:52,664 (whirring) 641 00:23:52,731 --> 00:23:55,433 LEFEVRE: She's kind of mesmerized by the egg and the mini-dome 642 00:23:55,500 --> 00:23:57,435 and trying to figure out what's going on. 643 00:23:57,502 --> 00:23:59,471 And all of a sudden... 644 00:24:00,272 --> 00:24:02,474 JOE: The monarch will be crowned. 645 00:24:05,010 --> 00:24:06,545 What did you just say? 646 00:24:06,611 --> 00:24:08,513 Who are you talking to? (gasps) 647 00:24:08,580 --> 00:24:11,516 LEFEVRE: Julia realizes that she's chosen 648 00:24:11,583 --> 00:24:13,585 in some way to be connected to it. 649 00:24:13,652 --> 00:24:15,554 The monarch will be crowned. 650 00:24:23,261 --> 00:24:24,930 (door opens and creaks) 651 00:24:24,996 --> 00:24:27,999 (gun chamber clicking) 652 00:24:28,066 --> 00:24:30,001 What the hell you doing here? 653 00:24:30,068 --> 00:24:32,604 NARRATOR: Junior was angry that his father had released Angie 654 00:24:32,671 --> 00:24:35,006 from the fallout shelter. 655 00:24:35,073 --> 00:24:36,875 I just want to make sure she's safe. 656 00:24:36,942 --> 00:24:39,010 You're not in your right mind, Junior. 657 00:24:39,077 --> 00:24:41,246 You sound just like your mother did at the end. 658 00:24:41,313 --> 00:24:43,248 NARRATOR: The rejection pushed Junior 659 00:24:43,315 --> 00:24:45,951 toward Big Jim's lifelong enemy... 660 00:24:46,017 --> 00:24:47,853 My dad kicked me out. 661 00:24:47,919 --> 00:24:49,988 NARRATOR: ...where he learned a family secret. 662 00:24:50,055 --> 00:24:52,724 I can't imagine your dad's an easy man to live with, 663 00:24:52,791 --> 00:24:54,926 especially after your mother dying. 664 00:24:54,993 --> 00:24:56,928 It was, um... 665 00:24:56,995 --> 00:24:59,664 a tragic accident. 666 00:24:59,731 --> 00:25:01,099 Is that what he told you? 667 00:25:01,166 --> 00:25:03,068 JUNIOR: You told me she died 668 00:25:03,134 --> 00:25:04,970 in a car crash. 669 00:25:05,036 --> 00:25:07,873 BENDER: The ultimate drama is going to be about family, and 670 00:25:07,939 --> 00:25:11,009 that family has its tragedy 671 00:25:11,076 --> 00:25:12,611 that gets very messy. 672 00:25:12,677 --> 00:25:14,646 Wasn't an accident, was it? 673 00:25:14,713 --> 00:25:16,615 No. 674 00:25:16,681 --> 00:25:18,650 Junior wants his dad to, like, 675 00:25:18,717 --> 00:25:19,784 tell the truth for once. 676 00:25:19,851 --> 00:25:21,052 Your mother had been... 677 00:25:21,119 --> 00:25:23,021 unsteady 678 00:25:23,088 --> 00:25:24,256 for a while. 679 00:25:24,322 --> 00:25:25,657 NORRIS: He explains that 680 00:25:25,724 --> 00:25:27,259 she committed suicide. 681 00:25:27,325 --> 00:25:28,727 He's been protecting Junior 682 00:25:28,793 --> 00:25:31,663 from the truth of the situation. 683 00:25:31,730 --> 00:25:33,265 Why 684 00:25:33,331 --> 00:25:34,933 did you lie to me? 685 00:25:35,000 --> 00:25:36,768 (crying): 'Cause I didn't want you 686 00:25:36,835 --> 00:25:38,637 to know that she chose 687 00:25:38,703 --> 00:25:40,305 to leave you. 688 00:25:41,339 --> 00:25:42,874 I'm so sorry. 689 00:25:42,941 --> 00:25:44,276 KOCH: Just to hear it from Big Jim's mouth 690 00:25:44,342 --> 00:25:46,311 is what he kind of needed 691 00:25:46,378 --> 00:25:48,613 in order to rebuild their relationship. 692 00:25:48,680 --> 00:25:50,115 You got a problem with this? 693 00:25:50,181 --> 00:25:51,816 Allow me. 694 00:25:54,019 --> 00:25:56,922 (panting) 695 00:25:56,988 --> 00:25:59,224 I believe you. 696 00:26:00,292 --> 00:26:02,027 JOE: Angie. 697 00:26:02,093 --> 00:26:03,762 ANGIE: Hey. 698 00:26:03,828 --> 00:26:04,796 I just had 699 00:26:04,863 --> 00:26:06,298 a seizure at the diner. (laughs) 700 00:26:06,364 --> 00:26:07,966 What do you mean, you had a seizure? 701 00:26:08,033 --> 00:26:10,235 ANGIE: I was just standing there, and then I... 702 00:26:10,302 --> 00:26:13,004 I went blank and collapsed. 703 00:26:13,071 --> 00:26:15,707 Angie! The pink stars are falling in lines. 704 00:26:15,774 --> 00:26:16,942 NORRIE: Did you say, 705 00:26:17,008 --> 00:26:17,842 "The pink stars are falling"? 706 00:26:17,909 --> 00:26:20,679 How did you know that? 707 00:26:20,745 --> 00:26:22,914 ROBERTSON: And, obviously, those words are 708 00:26:22,981 --> 00:26:25,183 a connection somehow, but they're not sure 709 00:26:25,250 --> 00:26:26,351 exactly why. 710 00:26:26,418 --> 00:26:27,619 It's what you found in the woods, 711 00:26:27,686 --> 00:26:28,753 isn't it? 712 00:26:28,820 --> 00:26:30,055 And you're not freaking out about it? 713 00:26:30,121 --> 00:26:32,057 I can't deny that I'm a part of this now. 714 00:26:32,123 --> 00:26:33,258 FORD: Me, 715 00:26:33,325 --> 00:26:35,160 Angie and Norrie all place our hands 716 00:26:35,226 --> 00:26:37,662 on the mini-dome. 717 00:26:37,729 --> 00:26:41,666 It's almost like... these are locks... 718 00:26:41,733 --> 00:26:44,069 ...and our hands are the keys. 719 00:26:44,135 --> 00:26:46,638 FORD: We notice that there's a fourth handprint that appears 720 00:26:46,705 --> 00:26:48,807 that there isn't a person for. 721 00:26:48,873 --> 00:26:51,209 I think we need a fourth hand. 722 00:26:51,276 --> 00:26:52,777 JUNIOR: I knew you'd come 723 00:26:52,844 --> 00:26:54,646 find me. Why have you always said 724 00:26:54,713 --> 00:26:56,648 that the dome is making me sick? 725 00:26:56,715 --> 00:26:58,149 Because it's true. 726 00:26:58,216 --> 00:26:59,851 But there's more, 727 00:26:59,918 --> 00:27:01,219 isn't there? Yeah. 728 00:27:01,286 --> 00:27:02,787 KOCH: Junior is 729 00:27:02,854 --> 00:27:04,055 seeing all the pieces come together, 730 00:27:04,122 --> 00:27:05,123 and so he's finally feeling 731 00:27:05,190 --> 00:27:07,392 like he can show Angie his mom's art studio. 732 00:27:07,459 --> 00:27:09,227 JUNIOR: A couple months 733 00:27:09,294 --> 00:27:11,963 before she died, she had this dream about me. 734 00:27:12,030 --> 00:27:14,265 And she just started painting this as fast as she could. 735 00:27:14,332 --> 00:27:17,068 (sighs) 736 00:27:18,937 --> 00:27:21,740 Pink stars. 737 00:27:21,806 --> 00:27:23,641 ROBERTSON: When he reveals 738 00:27:23,708 --> 00:27:25,410 this different side of him and his mother, 739 00:27:25,477 --> 00:27:27,712 she starts to question, maybe I was sick. 740 00:27:27,779 --> 00:27:29,714 Maybe he knows more than I do. 741 00:27:29,781 --> 00:27:32,851 Maybe, way back then, she knew the dome was coming. 742 00:27:32,917 --> 00:27:35,720 And I must be part of it, because I'm in this painting. 743 00:27:35,787 --> 00:27:37,288 And now, obviously, you're part of it, too. 744 00:27:37,355 --> 00:27:38,390 ROBERTSON: She doesn't 745 00:27:38,456 --> 00:27:39,424 trust him still, 746 00:27:39,491 --> 00:27:41,092 but they're just connected 747 00:27:41,159 --> 00:27:42,394 in this way. 748 00:27:42,460 --> 00:27:45,130 BENDER: The four hands are the four 749 00:27:45,196 --> 00:27:47,866 people who can unlock the mystery 750 00:27:47,932 --> 00:27:50,268 of the dome. 751 00:27:50,335 --> 00:27:53,838 LINTZ: And the phrase that no one has known what it's meant-- 752 00:27:53,905 --> 00:27:55,273 "The pink stars are falling"-- 753 00:27:55,340 --> 00:27:56,741 the pink stars fall. 754 00:27:56,808 --> 00:27:58,777 (whooshing and tinkling) 755 00:27:58,843 --> 00:28:01,946 FORD: Then the dome lights up. 756 00:28:02,013 --> 00:28:03,948 Oh, my God. 757 00:28:04,015 --> 00:28:06,117 It's the pink stars. 758 00:28:06,184 --> 00:28:09,020 FORD: And it projects all these beautiful constellations-- 759 00:28:09,087 --> 00:28:10,355 the dipper, 760 00:28:10,422 --> 00:28:12,724 Castor and Pollux and all that stuff. 761 00:28:12,791 --> 00:28:14,225 KOCH: It's kind of a star map. 762 00:28:14,292 --> 00:28:15,326 It's a piece of what 763 00:28:15,393 --> 00:28:16,928 the dome means, but it doesn't 764 00:28:16,995 --> 00:28:18,396 outright give answers. 765 00:28:18,463 --> 00:28:20,999 Beautiful! 766 00:28:21,066 --> 00:28:25,003 But... what does it mean? 767 00:28:29,140 --> 00:28:33,144 NARRATOR: Big Jim was constantly on high alert... 768 00:28:33,211 --> 00:28:34,379 You got one second to tell me 769 00:28:34,446 --> 00:28:35,880 why I shouldn't blow your damn head off. 770 00:28:35,947 --> 00:28:40,085 NARRATOR: ...but he never expected to see his old friend Maxine Seagrave. 771 00:28:40,151 --> 00:28:42,787 Because you don't want to ruin this beautiful face? 772 00:28:42,854 --> 00:28:44,889 NORRIS: Maxine's another one of his business 773 00:28:44,956 --> 00:28:47,258 associates in the illegal drug trade. 774 00:28:47,325 --> 00:28:48,726 BIG JIM: This is, uh, 775 00:28:48,793 --> 00:28:50,929 Dale Barbara. He... 776 00:28:50,995 --> 00:28:52,931 BAER: We find out 777 00:28:52,997 --> 00:28:57,235 that Barbie and Jim are connected through Maxine. 778 00:28:57,302 --> 00:29:00,305 In terms of Big Jim, she was partners with him. 779 00:29:00,371 --> 00:29:01,973 In terms of Barbie, 780 00:29:02,040 --> 00:29:04,209 she was sleeping with him, and Barbie works for her 781 00:29:04,275 --> 00:29:05,343 as a collector. 782 00:29:05,410 --> 00:29:07,145 We make a damn good team. 783 00:29:07,212 --> 00:29:08,880 And as long as this dome is around, 784 00:29:08,947 --> 00:29:10,882 I can see us making this town our playground. 785 00:29:10,949 --> 00:29:12,383 (Barbie grunts) 786 00:29:12,450 --> 00:29:13,952 (Max sighs) 787 00:29:14,018 --> 00:29:15,987 What are you doing? 788 00:29:16,054 --> 00:29:18,156 We're finished, Max. 789 00:29:18,223 --> 00:29:20,291 VOGEL: Maxine, ultimately, 790 00:29:20,358 --> 00:29:22,360 sort of draws the conclusion that Julia is 791 00:29:22,427 --> 00:29:24,129 why I won't join sides with her. 792 00:29:24,195 --> 00:29:26,231 LEFEVRE: First, she turns up out of nowhere 793 00:29:26,297 --> 00:29:28,933 and turns out to be the woman who was sleeping with Barbie, 794 00:29:29,000 --> 00:29:30,135 who's now sort of my boyfriend. 795 00:29:30,201 --> 00:29:31,302 Can I help you? 796 00:29:31,369 --> 00:29:33,338 Right now you can't even help yourself. 797 00:29:35,306 --> 00:29:37,108 (gunshot) LEFEVRE: And the first time 798 00:29:37,175 --> 00:29:39,911 I get to meet her face-to-face, she puts a bullet in me. 799 00:29:39,978 --> 00:29:42,180 (gasping) 800 00:29:42,247 --> 00:29:44,082 LEFEVRE: It's so cold-hearted, 801 00:29:44,149 --> 00:29:45,183 um, that it's kind of great. 802 00:29:45,250 --> 00:29:46,784 You hungry? 803 00:29:46,851 --> 00:29:48,019 NARRATOR: After unlocking the star map, 804 00:29:48,086 --> 00:29:51,990 Junior and Angie were left to wonder what it all meant. 805 00:29:52,056 --> 00:29:53,158 Can you believe it, Angie? 806 00:29:53,224 --> 00:29:55,093 (mutters) The way our lives are braided together, 807 00:29:55,160 --> 00:29:57,262 and they will be forever. 808 00:29:57,328 --> 00:29:59,130 What? Are you insane? 809 00:29:59,197 --> 00:30:03,334 It is not about you and me. It will never be about you... 810 00:30:03,401 --> 00:30:05,069 I don't believe you. Well, believe it. 811 00:30:05,136 --> 00:30:07,071 We will never be together! 812 00:30:07,138 --> 00:30:09,274 Then I'm out. I'm done 813 00:30:09,340 --> 00:30:12,377 with you, with this, the mini-dome, all of it. 814 00:30:12,443 --> 00:30:14,345 I've never met someone so selfish! (door creaks open) 815 00:30:14,412 --> 00:30:17,549 NARRATOR: Junior's departure had consequences, 816 00:30:17,615 --> 00:30:19,984 as the dome unleashed its wrath. 817 00:30:20,051 --> 00:30:22,287 (gasping) Julia?! Julia, hey, hey, hey, hey, stay with me. 818 00:30:22,353 --> 00:30:24,255 Hey, you got to hurry, Joe. She's crashing. 819 00:30:24,322 --> 00:30:27,225 NARRATOR: And a mysterious storm descended. 820 00:30:27,292 --> 00:30:28,226 JOE: It's not 821 00:30:28,293 --> 00:30:30,261 just weather. It's the dome. 822 00:30:30,328 --> 00:30:32,197 I think it's angry at us. 823 00:30:32,263 --> 00:30:33,598 (whirring) 824 00:30:33,665 --> 00:30:37,368 Junior! Look at what it's doing! 825 00:30:37,435 --> 00:30:40,238 (whooshing) It's sending a message! 826 00:30:40,305 --> 00:30:42,540 You have to come back to the group. 827 00:30:42,607 --> 00:30:44,209 It takes all of us, 828 00:30:44,275 --> 00:30:45,443 or we're nothing. 829 00:30:45,510 --> 00:30:47,345 NARRATOR: Barbie worked frantically to save Julia. 830 00:30:47,412 --> 00:30:49,547 (grunting) 831 00:30:49,614 --> 00:30:50,882 Come on! 832 00:30:50,949 --> 00:30:53,218 Come on. We got to go! 833 00:30:54,018 --> 00:30:55,620 Angie! 834 00:30:55,687 --> 00:30:57,021 (Angie shrieks) 835 00:30:58,990 --> 00:31:01,593 NARRATOR: And after Junior's change of heart, 836 00:31:01,659 --> 00:31:03,595 the storm receded. 837 00:31:03,661 --> 00:31:06,497 I was right. 838 00:31:07,665 --> 00:31:09,901 Storm's breaking up. 839 00:31:09,968 --> 00:31:11,035 (rhythmic beeping) 840 00:31:11,102 --> 00:31:13,071 NARRATOR: Julia survived the attack, 841 00:31:13,137 --> 00:31:15,540 but Maxine would have to answer for it. 842 00:31:15,607 --> 00:31:17,609 BIG JIM: You know it's Max who shot her, 843 00:31:17,675 --> 00:31:20,945 right? And I also know that it's time to stop her. 844 00:31:21,012 --> 00:31:21,879 BAER: Big Jim 845 00:31:21,946 --> 00:31:23,014 hates Maxine 846 00:31:23,081 --> 00:31:25,350 because she has the goods on him, and she threatens 847 00:31:25,416 --> 00:31:26,551 to tell the town. 848 00:31:26,618 --> 00:31:28,086 Should take both of us to do it. 849 00:31:28,152 --> 00:31:30,955 Well, we're gonna do this by my rules, Jim. 850 00:31:31,022 --> 00:31:33,057 We're taking Max alive. 851 00:31:33,124 --> 00:31:34,259 VOGEL: Barbie now 852 00:31:34,325 --> 00:31:39,130 becomes the-the one really fighting for order in this town. 853 00:31:39,197 --> 00:31:40,999 Big Jim evolves into 854 00:31:41,065 --> 00:31:42,900 a man who's seeking to capitalize 855 00:31:42,967 --> 00:31:44,402 on the chaos of this town. 856 00:31:44,469 --> 00:31:46,070 You're not saving Chester's Mill. 857 00:31:46,137 --> 00:31:47,939 You're eating this town alive. 858 00:31:48,006 --> 00:31:49,941 NORRIS: Big Jim is a smart guy. 859 00:31:50,008 --> 00:31:51,276 He's a practical guy, 860 00:31:51,342 --> 00:31:53,678 and he sees Barbie as-- at the beginning, at least-- 861 00:31:53,745 --> 00:31:55,913 as someone who could be useful to him, 862 00:31:55,980 --> 00:31:57,915 and, throughout the course of the season, 863 00:31:57,982 --> 00:32:01,286 Big Jim realizes that maybe Barbie's not really the guy 864 00:32:01,352 --> 00:32:03,288 to be on his team. 865 00:32:03,354 --> 00:32:05,290 I'm gonna go get our car. 866 00:32:05,356 --> 00:32:08,559 We'll take them down to the station. 867 00:32:08,626 --> 00:32:11,296 So Big Jim realized that he could kill 868 00:32:11,362 --> 00:32:13,298 several birds with one stone. 869 00:32:13,364 --> 00:32:14,565 (grunting) 870 00:32:14,632 --> 00:32:17,335 He'd kill Maxine and her bodyguard. 871 00:32:17,402 --> 00:32:19,103 (gun chamber cocking, grunting) 872 00:32:19,170 --> 00:32:21,072 (grunting and coughing) 873 00:32:21,139 --> 00:32:23,675 (gasping) And then he could get rid of Barbie by 874 00:32:23,741 --> 00:32:25,109 putting the blame on him. 875 00:32:25,176 --> 00:32:27,412 LINDA: Barbie, put that weapon down! 876 00:32:27,478 --> 00:32:29,314 Put it down now! 877 00:32:29,380 --> 00:32:31,115 BIG JIM: Linda, thank God! 878 00:32:31,182 --> 00:32:33,551 He's gone nuts! He's lying to you! 879 00:32:33,618 --> 00:32:34,686 BIG JIM: He killed 'em. 880 00:32:34,752 --> 00:32:36,587 I was next. 881 00:32:36,654 --> 00:32:39,023 Linda, I'm telling you... 882 00:32:39,090 --> 00:32:41,092 (grunts) 883 00:32:43,561 --> 00:32:45,563 Shoot that son of a bitch! 884 00:32:48,466 --> 00:32:50,435 This has been a very dark 885 00:32:50,501 --> 00:32:52,236 day in Chester's Mill. 886 00:32:52,303 --> 00:32:56,374 Maxine Seagrave and her business associate were murdered. 887 00:32:56,441 --> 00:32:59,510 An attempt was made on the life of Julia Shumway. 888 00:32:59,577 --> 00:33:01,713 One person is responsible for all this: 889 00:33:01,779 --> 00:33:03,648 Dale "Barbie" 890 00:33:03,715 --> 00:33:04,982 Barbara. 891 00:33:05,049 --> 00:33:06,117 NORRIS: Big Jim uses 892 00:33:06,184 --> 00:33:07,585 his powers of persuasion 893 00:33:07,652 --> 00:33:09,454 and he is able to convince the town 894 00:33:09,520 --> 00:33:11,322 that he is the leader, that 895 00:33:11,389 --> 00:33:13,024 Barbie committed these murders. 896 00:33:13,091 --> 00:33:14,125 The people 897 00:33:14,192 --> 00:33:16,427 will seek the death penalty. 898 00:33:16,494 --> 00:33:18,196 NARRATOR: The four hands knew that the dome 899 00:33:18,262 --> 00:33:19,497 was communicating with them. 900 00:33:19,564 --> 00:33:20,665 But to what end? 901 00:33:20,732 --> 00:33:22,066 ANGIE: What do we do now? 902 00:33:22,133 --> 00:33:24,302 JOE: If these stars are really us, 903 00:33:24,369 --> 00:33:27,338 then we have to go to the same spot on the big dome. 904 00:33:27,405 --> 00:33:29,440 ROBERTSON: Joe figures out that they're 905 00:33:29,507 --> 00:33:31,709 being called to go to the big dome. 906 00:33:31,776 --> 00:33:34,479 (low electric buzzing) 907 00:33:37,482 --> 00:33:39,717 KOCH: They all go to the dome, put their hands 908 00:33:39,784 --> 00:33:41,152 on it, they see 909 00:33:41,219 --> 00:33:42,387 this kind of ghostly image 910 00:33:42,453 --> 00:33:45,022 of Big Jim coming forward. 911 00:33:45,089 --> 00:33:46,391 Dad? 912 00:33:46,457 --> 00:33:48,426 KOCH: And he starts bleeding 913 00:33:48,493 --> 00:33:52,029 and he gets these knife wounds. 914 00:33:52,096 --> 00:33:54,699 LINTZ: Junior's freaking out, and 915 00:33:54,766 --> 00:33:56,434 all four of us look down and we have 916 00:33:56,501 --> 00:33:58,336 these knives. 917 00:34:00,371 --> 00:34:02,373 ANGIE: Junior? 918 00:34:05,276 --> 00:34:07,211 No! What the hell was that? 919 00:34:07,278 --> 00:34:09,414 I-I thought we were coming here for answers. 920 00:34:09,480 --> 00:34:11,114 I think that was it. 921 00:34:12,216 --> 00:34:13,717 Big Jim has to die. 922 00:34:15,219 --> 00:34:17,522 And I think we're supposed to do it. 923 00:34:20,757 --> 00:34:22,527 NORRIS: Season two, we explore 924 00:34:22,592 --> 00:34:23,527 the mythology 925 00:34:23,594 --> 00:34:24,795 of the dome. NARRATOR: Coming up... 926 00:34:24,862 --> 00:34:26,264 What's happening? 927 00:34:26,330 --> 00:34:28,331 ...an exclusive scene from season two 928 00:34:28,399 --> 00:34:29,699 of Under the Dome. 929 00:34:37,241 --> 00:34:39,777 What's it doing? 930 00:34:39,844 --> 00:34:41,712 I think it's mad we didn't kill Big Jim. 931 00:34:41,779 --> 00:34:43,547 Angie, we can't do that. NARRATOR: Joe, 932 00:34:43,614 --> 00:34:46,417 Norrie and Angie grappled with what to do next. 933 00:34:46,484 --> 00:34:47,717 It wants him dead. 934 00:34:47,784 --> 00:34:50,221 Why? I don't know. 935 00:34:50,288 --> 00:34:51,789 Maybe so that he doesn't kill your monarch? 936 00:34:51,856 --> 00:34:55,159 And they found a mysterious cocoon inside the mini-dome. 937 00:34:55,226 --> 00:34:56,661 When the butterfly hatches, 938 00:34:56,726 --> 00:34:59,330 the monarch will be crowned. 939 00:34:59,397 --> 00:35:01,566 NARRATOR: Dodee's continued suspicions 940 00:35:01,632 --> 00:35:05,169 led her to a discovery. 941 00:35:06,504 --> 00:35:08,339 And transmissions from the outside 942 00:35:08,406 --> 00:35:11,108 helped her understand the importance of the egg. 943 00:35:11,175 --> 00:35:14,312 MAN: Any idea where the hell that egg thing is, soldier? 944 00:35:14,378 --> 00:35:17,682 There is evidence that the outside world 945 00:35:17,748 --> 00:35:18,716 knows what's going on. 946 00:35:18,783 --> 00:35:21,385 The military's looking for an egg? 947 00:35:21,452 --> 00:35:23,187 Yeah. And I've seen it. 948 00:35:23,254 --> 00:35:24,455 It was at Joe McAlister's barn. 949 00:35:24,522 --> 00:35:27,191 NORRIS: When Big Jim learns about the egg, 950 00:35:27,258 --> 00:35:29,160 he thinks that that's the key to the dome. 951 00:35:29,227 --> 00:35:32,296 Maybe if you get this thing, 952 00:35:32,363 --> 00:35:34,465 you could bring down the dome. 953 00:35:34,532 --> 00:35:36,834 NORRIS: He doesn't want the dome to come down yet. 954 00:35:36,901 --> 00:35:38,336 He hasn't yet exercised 955 00:35:38,402 --> 00:35:40,338 all his power or his ambition. 956 00:35:40,404 --> 00:35:43,274 He wants to have control of that egg. 957 00:35:44,509 --> 00:35:46,577 (gunshot) 958 00:35:46,644 --> 00:35:49,180 BIG JIM: Linda? 959 00:35:49,247 --> 00:35:50,715 The radio station's on fire. 960 00:35:50,781 --> 00:35:51,849 Could it be arson? 961 00:35:51,916 --> 00:35:53,851 No idea. 962 00:35:53,918 --> 00:35:55,820 It's Barbie. 963 00:35:55,887 --> 00:35:57,455 We've been broadcasting info 964 00:35:57,522 --> 00:35:58,656 about him night and day. 965 00:35:58,723 --> 00:35:59,690 I'd be careful, Linda. 966 00:35:59,757 --> 00:36:03,194 If you find Barbie, you call me. 967 00:36:03,261 --> 00:36:05,263 NARRATOR: The entire town was looking for Barbie. 968 00:36:05,329 --> 00:36:07,899 And he needed help to save Julia from Big Jim. 969 00:36:07,965 --> 00:36:10,568 Julia's still at the clinic. Now, if she wakes up, 970 00:36:10,635 --> 00:36:11,636 he's gonna kill her. 971 00:36:11,702 --> 00:36:13,237 Wh-Why? 972 00:36:13,304 --> 00:36:14,372 Because if she tells people 973 00:36:14,438 --> 00:36:16,207 that it wasn't actually me that shot her, 974 00:36:16,274 --> 00:36:17,475 his whole story falls apart. 975 00:36:17,542 --> 00:36:19,410 So help me save Julia. 976 00:36:19,477 --> 00:36:20,878 NARRATOR: With Angie's help, 977 00:36:20,945 --> 00:36:23,881 Barbie took Julia to safety. 978 00:36:23,948 --> 00:36:27,251 I love you. 979 00:36:28,920 --> 00:36:29,854 Drive fast! 980 00:36:29,921 --> 00:36:31,789 (tires screeching) 981 00:36:33,824 --> 00:36:35,960 Put your hands on your head! 982 00:36:36,027 --> 00:36:37,728 With Barbie in custody, 983 00:36:37,795 --> 00:36:41,265 Big Jim went looking for the egg. 984 00:36:41,332 --> 00:36:43,267 What the hell? 985 00:36:43,334 --> 00:36:45,369 But Joe and Norrie were one step ahead. 986 00:36:45,436 --> 00:36:47,338 Where is it? 987 00:36:47,405 --> 00:36:49,907 We have no idea what you're talking about. 988 00:36:49,974 --> 00:36:51,809 They had moved the egg. 989 00:36:51,876 --> 00:36:55,279 And now found the butterfly was ready to hatch. 990 00:36:55,346 --> 00:36:56,213 It's really happening. 991 00:36:56,280 --> 00:36:58,482 When, uh, the monarch hatched, 992 00:36:58,549 --> 00:37:01,652 they didn't know how to get it out. What the hell? 993 00:37:01,719 --> 00:37:05,356 BAER: Every time its wings touched the invisible dome, 994 00:37:05,423 --> 00:37:08,225 It would cause a black color to appear. 995 00:37:08,292 --> 00:37:09,961 Is it just me or is it getting crazy dark outside? 996 00:37:10,027 --> 00:37:12,863 NARRATOR: The black spots began to also cover 997 00:37:12,930 --> 00:37:14,865 the big dome outside 998 00:37:14,932 --> 00:37:16,968 until Chester's Mill 999 00:37:17,034 --> 00:37:20,338 was in total darkness. 1000 00:37:20,404 --> 00:37:22,440 So, now what? 1001 00:37:22,506 --> 00:37:23,307 Junior soon found them. 1002 00:37:23,374 --> 00:37:25,476 And was forced to make a decision. 1003 00:37:25,543 --> 00:37:28,312 NORRIE: Things are happening, Junior! 1004 00:37:28,379 --> 00:37:29,647 Do you want your dad to lock that thing away 1005 00:37:29,714 --> 00:37:32,416 before it can give us any answers? 1006 00:37:32,483 --> 00:37:34,819 (sighs) Let's go. 1007 00:37:34,885 --> 00:37:37,989 When Julia woke up, there was no time to waste. 1008 00:37:38,055 --> 00:37:39,624 Where's Barbie? 1009 00:37:39,690 --> 00:37:42,627 I guess everyone's out dealing with the blackout. 1010 00:37:42,693 --> 00:37:44,362 And with everybody distracted, 1011 00:37:44,428 --> 00:37:47,765 Julia and Angie freed Barbie. 1012 00:37:47,832 --> 00:37:49,767 JOE: Angie? Angie McAlister? 1013 00:37:49,834 --> 00:37:51,469 We're on the move 1014 00:37:51,535 --> 00:37:53,537 with the mini-dome. 1015 00:37:53,604 --> 00:37:54,572 ANGIE: Joe! 1016 00:37:54,639 --> 00:37:56,607 Thank God! 1017 00:37:58,576 --> 00:38:00,277 Don't take another step. Junior, stop! 1018 00:38:00,344 --> 00:38:02,480 No! This guy's a psychopath! 1019 00:38:02,546 --> 00:38:03,981 Hey, is that supposed to do that? 1020 00:38:04,048 --> 00:38:07,618 BAER: The four hands don't know why they were chosen. 1021 00:38:07,685 --> 00:38:09,553 And they were desperate to figure out a way 1022 00:38:09,620 --> 00:38:11,322 to release this monarch. 1023 00:38:11,389 --> 00:38:12,923 And maybe make the dome go away. 1024 00:38:21,699 --> 00:38:23,668 It opens the mini-dome, now we have the egg, 1025 00:38:23,734 --> 00:38:26,737 and the butterfly is up floating around. 1026 00:38:29,073 --> 00:38:30,574 LINTZ: Okay. 1027 00:38:30,641 --> 00:38:31,876 Another piece to the puzzle. 1028 00:38:31,942 --> 00:38:33,010 You're the monarch. 1029 00:38:33,077 --> 00:38:34,612 What do we do? 1030 00:38:34,679 --> 00:38:35,780 We have to take that egg to the real authorities. 1031 00:38:35,846 --> 00:38:36,881 Like Big Jim? 1032 00:38:36,947 --> 00:38:39,417 ANGIE: No, we are not taking anything to that monster. 1033 00:38:39,483 --> 00:38:41,919 I'm done listening to you all run down my dad. 1034 00:38:41,986 --> 00:38:44,955 He's the only thing keeping this town together. 1035 00:38:45,022 --> 00:38:47,558 Hand it over, Julie. 1036 00:38:47,625 --> 00:38:49,593 Run! 1037 00:38:49,660 --> 00:38:52,530 NARRATOR: Once again, Barbie sacrificed himself to protect his friends. 1038 00:38:52,596 --> 00:38:54,765 Barbie! Go! 1039 00:38:55,533 --> 00:38:57,435 Get up! 1040 00:38:57,501 --> 00:39:00,438 You're done! 1041 00:39:00,504 --> 00:39:02,440 As the authorities searched for the egg, 1042 00:39:02,506 --> 00:39:04,508 What the hell does "The pink stars are falling 1043 00:39:04,575 --> 00:39:05,676 in lines" mean? 1044 00:39:05,743 --> 00:39:07,878 Big Jim learned of his late wife's 1045 00:39:07,945 --> 00:39:10,014 mysterious connection 1046 00:39:10,081 --> 00:39:11,482 It's like she knew all this was gonna happen. 1047 00:39:11,549 --> 00:39:12,483 How is that possible? 1048 00:39:12,550 --> 00:39:14,385 I don't know. 1049 00:39:14,452 --> 00:39:16,420 If your wife saw the dome coming, 1050 00:39:16,487 --> 00:39:18,622 that means your family's important. 1051 00:39:18,689 --> 00:39:20,491 That means you're important. 1052 00:39:20,558 --> 00:39:21,692 Big Jim starts to believe that maybe their family 1053 00:39:21,759 --> 00:39:23,360 was kind of ordained 1054 00:39:23,427 --> 00:39:25,129 in some way to deal with this dome. 1055 00:39:25,196 --> 00:39:27,732 You and I need to do what nobody else 1056 00:39:27,798 --> 00:39:29,734 in Chester's Mill can. 1057 00:39:29,800 --> 00:39:31,702 We need to make the hard decisions, 1058 00:39:31,769 --> 00:39:34,972 act on them and lead. 1059 00:39:35,039 --> 00:39:36,807 Big Jim Rennie 1060 00:39:36,874 --> 00:39:38,676 with a message for Julia Shumway. 1061 00:39:38,743 --> 00:39:41,779 Big Jim says to her, "Give me the egg or Barbie's gonna die." 1062 00:39:41,846 --> 00:39:44,482 BIG JIM: Fail to comply within the hour, 1063 00:39:44,548 --> 00:39:46,584 and Barbie pays the ultimate price. 1064 00:39:46,650 --> 00:39:48,586 LEFEVRE: It's everyone or it's him. 1065 00:39:48,652 --> 00:39:51,455 That's a really impossible decision to make. 1066 00:39:51,522 --> 00:39:52,790 We have to help him. 1067 00:39:52,857 --> 00:39:56,460 How do we protect Chester's Mill and save Barbie? 1068 00:39:56,527 --> 00:39:57,862 We can't. 1069 00:39:57,928 --> 00:40:00,397 BENDER: She's willing to 1070 00:40:00,464 --> 00:40:01,665 make the hard choice. 1071 00:40:01,732 --> 00:40:04,468 This has to be my decision. 1072 00:40:04,535 --> 00:40:07,071 NARRATOR: Big Jim had made himself 1073 00:40:07,138 --> 00:40:09,740 judge, jury and executioner. 1074 00:40:09,807 --> 00:40:12,176 Today Chester's Mill 1075 00:40:12,243 --> 00:40:15,546 sentences Dale Barbara to death. 1076 00:40:15,613 --> 00:40:18,649 With Barbie moments away from hanging, 1077 00:40:18,716 --> 00:40:20,584 Julia did her part 1078 00:40:20,651 --> 00:40:23,187 to protect the egg. 1079 00:40:27,758 --> 00:40:29,693 LINTZ: Something's about to go down. 1080 00:40:29,760 --> 00:40:30,961 If there's pink stars in the sky, 1081 00:40:31,028 --> 00:40:32,496 something is about to happen. 1082 00:40:32,563 --> 00:40:34,632 NORRIS: Big Jim thinks 1083 00:40:34,698 --> 00:40:37,034 it's telling him that he's doing the right thing 1084 00:40:37,101 --> 00:40:38,502 to kill Barbie. 1085 00:40:38,569 --> 00:40:39,870 Clearly the Good Lord has looked upon our work 1086 00:40:39,937 --> 00:40:41,105 here today with favor. 1087 00:40:41,172 --> 00:40:44,441 KOCH: Junior very much wants to do the right thing, 1088 00:40:44,508 --> 00:40:46,644 but it's a big, big sign, and he can't help 1089 00:40:46,710 --> 00:40:49,647 but think, do I kill this man or see what 1090 00:40:49,713 --> 00:40:51,115 the dome will reveal to him? 1091 00:40:53,851 --> 00:40:56,687 LEFEVRE: Did we make the wrong choice, 1092 00:40:56,754 --> 00:40:58,088 and the pink stars and the glowing dome, 1093 00:40:58,155 --> 00:40:59,890 is it actually gonna wipe us all out? 1094 00:40:59,957 --> 00:41:01,892 Now, son! Do it now! 1095 00:41:01,959 --> 00:41:03,027 Do we kill him? Do we not kill him? 1096 00:41:03,093 --> 00:41:04,228 What is this light? 1097 00:41:04,295 --> 00:41:06,463 It is a very tense moment. 1098 00:41:06,530 --> 00:41:07,731 The stakes are very high. 1099 00:41:07,798 --> 00:41:09,633 Now, Junior! Do it now! 1100 00:41:13,003 --> 00:41:14,672 ANNOUNCER: CBS Monday... 1101 00:41:14,738 --> 00:41:16,907 Something awful is happening out there. 1102 00:41:16,974 --> 00:41:19,076 ...Under the Dome returns. 1103 00:41:19,143 --> 00:41:20,678 REPORTER: There has been no official statement 1104 00:41:20,744 --> 00:41:22,680 on reported abnormal magnetic activity. 1105 00:41:22,746 --> 00:41:26,217 ANNOUNCER: And not everyone will survive. 1106 00:41:26,283 --> 00:41:28,219 Oh, my God! My mom's in there! 1107 00:41:28,285 --> 00:41:31,222 Now, an exclusive scene from next week's season premiere. 1108 00:41:32,289 --> 00:41:34,024 NORRIE: Whoa! JOE: Whoa, watch out! 1109 00:41:35,292 --> 00:41:37,061 She hit her head! 1110 00:41:37,127 --> 00:41:38,229 Mom. 1111 00:41:38,295 --> 00:41:41,599 (rattling) 1112 00:41:41,665 --> 00:41:43,601 Get down! (Joe yells) 1113 00:41:47,638 --> 00:41:50,040 Let's get her up! Ready? 1114 00:41:50,107 --> 00:41:51,609 Whoa, look out! 1115 00:41:54,778 --> 00:41:55,846 Hurry! That door! 1116 00:41:59,350 --> 00:42:01,185 What do we do?! 1117 00:42:01,252 --> 00:42:02,853 Get the table! Okay. 1118 00:42:02,920 --> 00:42:05,990 (yelling) 1119 00:42:06,056 --> 00:42:08,959 Watch her arm! Let's get it, let's get it, yeah! 1120 00:42:09,960 --> 00:42:11,929 Whoa! 1121 00:42:11,996 --> 00:42:13,264 What is happening?! 1122 00:42:13,330 --> 00:42:14,932 It's pulling all the nails out! 1123 00:42:14,999 --> 00:42:16,033 (screams) 1124 00:42:16,100 --> 00:42:17,768 Captioning sponsored by CBS 1125 00:42:17,835 --> 00:42:19,837 Captioned by Media Access Group at WGBH access.wgbh.org ie."